Lulu looked at 17th-century European painted furniture as a reference, and, after considering several Studio Maclean print options, went with the harlequin design in a rich green. “Our idea was to cover the main units in the print, but to break them up with a solid island and solid textural worktop and backsplash,” says Jason. “So, although it’s patterned, solid elements balance the whole effect.” Also, he might have added, their client is someone with an appetite for maximalist decoration.

The back wall has four drawers and eight cupboards—the fridge is tucked behind two of them to the left of the induction stove, which is by Smeg (“modern and streamlined with a nod to vintage, which works well here,” says Jason). The stainless-steel sink with drainboard/work surface is by Franke.

When asked about her house renovation, Lulu told The English Home, “My friends call it ‘Lulu-fying things… I have no rules. I’m a creative and I don’t stop, whether it’s interiors or fashion.”

How exactly is the wood digitally printed? “We work with a well-established manufacturer who have developed the technique with us and allow us to be hands-on,” is all Jason will say emphasizing that they experimented with a variety of base materials before focusing on oak, and “always run several test prints to achieve the finished result.” As for durability: a proprietary finish—”something we also developed over time and testing”—is added to the panels to ensure they’re able to withstand food splatters, scrubbing, and other kitchen wear and tear.

Three more favorite examples of kitchens with color and pattern:

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